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I try as much as I can to keep the intention of the painting fairly ambiguous, and the idea is that any sort of analysis is encouraged- ideally, any interpretation is taken to be valid, and so the meaning of the drawing extends beyond the surface of the drawing itself, and becomes a unique experience each time and for each person.
I have my own interpretations, and my own placed symbolism, including a purely visual and formalistic aspect that really is as deep as the paper-- in other words, the drawing has meaning, but it also 'looks nice' and sometimes choices are made to place visual considerations ahead of conceptual ones. I hope that as I continue the series, I solidify an exigence or purpose to serve as a guiding thread for the series.
This summer I interned at XVIVO, a medical animation company in Rocky Hill, CT. I got the position because Michael Astrachan, the founder of the company, had seen my work at a local exhibition. Because his roots are as a classically trained painter, there was a sort of kinship in both our interests for the realist painting tradition. The internship was very interesting. Although I was not able to actually have a hand in any of the projects (which is guess is ideally the objective), I spent a good amount of time learning a lot about 3D modeling, texturing, and lighting. I also met some great people, and started Hackey-Sacking, which is really good if you like to be outside but aren't really athletic. I am excited to keep working in 3D, because it's a tool that has so many possibilities, and I'm glad I was able to see the studio-environment, even if it was from my relatively isolated position.
Another project I started was with Mr. Astrachan himself. He's been working on writing a children's story for a very long time, and asked me if I wanted to illustrate it. For now I've been making a lot of sketches for the story.
This year I have to start applying to colleges. I'm sure it'll be a very stressful process, and so I'm bracing myself for it. The schools I'm most likely going to apply to are RISD, MICA, Pratt, and possibly the Academy of Art University in San Franscisco, although I have yet to visit it. We also visited CalArts over the summer, for the second time this year. I might do a longer post about it later, but I'm not sure that CalArts is where I want to go.


Here's a little tryptich that I finished a little bit ago. The picture quality isn't so great, but meh. I'll upload em nicer later.
The Ashcan school of American painters sought to perpetuate an art style that was realistic, poignant, and uniquely American in content and execution. This was in response to both the European Academism prevalent in their time, as well as the rise of modern art. The painters were led by teacher and painter Robert Henri.
Wow!

A little bit of knowledge:
